A day in the lives of women living on the brink of poverty commissioned for The Shriver Report‘s latest project, “A Woman’s Nation Pushes Back from the Brink,” as shown through the lenses a team of award-winning photographers including former White House photographer Barbara Kinney, Melissa Lyttle, Barbara Ries, Jan Sonnenmair, Callie Shell, Melissa Farlow and Ami Vitale.
Celebrating the centennial of legendary designer Ray Eames, this all-new exhibition is the first to explore the early life and work of the Sacramento native who broke barriers during an era of limited opportunities for women in the arts. Although the work of Eames Office is well-known for innovations in modern architecture, furniture, films, toys, photography, textiles, exhibition design and more, Ray Eames often remains often overlooked or mistaken for the brother of her husband and business partner, Charles, in history.
Co-created in partnership with Eames Office, the exhibit features new information on Ray’s early life in Sacramento and work produced prior to meeting Charles in 1941, as based upon research conducted by Carla Hartman, Education Director of Eames Office, which played a central role in the project’s development. In addition, the exhibit also chronicles well-known Eames Office projects produced by Ray and Charles from 1941-1988, providing new insight on Ray’s ground-breaking role as the equal partner of Charles.
Including over 100 original works and rarely-seen artifacts from Eames Office and the Eames family’s collections, the exhibit provides a new perspective on Ray’s 60-year career in the arts, along with her significance in history as one of the 20th century’s most influential – yet largely unknown – artists, whose influence continues to shape design today.
A journey through life, love and death, “Day of the Dead: Art of Día de los Muertos” is an all-new exhibit featuring contemporary installations by California artists Rob-O, John Huerta and David Lozeau.
Opening on September 24, 2013 for Hispanic Heritage Month, the exhibit highlights the Mexican cultural tradition of honoring deceased loved ones each year on November 1 and 2 by creating calaveras de azúcar (sugar skulls), altares de muertos (altars of the dead) and ofrendas (offerings), which has evolved from the Aztecs to modern day California.
Members of the public are invited to celebrate their friends, family and ancestors by participating in an adjacent Community Altar and leaving a photograph or small remembrance through January 5, 2014.
Sponsored by California Latino Legislative Caucus and Mayahuel Restaurant & Tequila Museum. Developed in association with John Huerta Arte, David Lozeau, Sacramento Arts & Business Council and Sugar Skull Art.
“Eames Generations: A Legacy of California Design” is a new exhibit featuring artwork by Lucia Eames and Llisa Demetrios, daughter and granddaughter of legendary California designers Charles and Ray Eames whose legacy of innovation continues to influence the arts today.
Lucia Eames has designed indoor and outdoor furniture and metalworks for over thirty years. A graduate of Radcliffe College, where she studied sculpture, Lucia designs functional indoor and outdoor pieces laser-cut in carbon steel, aluminum, and stainless steel. Her commissioned public works include the 92-foot-tall Wind Harp in South San Francisco and the kinetic Clock Tower in Newport Beach. As the matriarch of the Eames family, Lucia also oversees the preservation of the Eames family’s legacy with her five children, who together serve as the Eames Foundation’s Board of Directors.
Llisa Demetrios works primarily with bronze, creating large-scale sculptures often displayed in outdoor settings. A graduate of Yale University, Llisa also studied at the California College of Arts and Crafts and has lectured on sculpture at the Academy of Art University. Formerly the archivist of the Mies van der Rohe collection at the Museum of Modern Art in New York, today Llisa is the archivist of the Eames Foundation and shares studio space with her mother in Sonoma County.
Working in a style she calls “Perceptionist Art,” Sabrina Abbott creates bold, vibrant canvases focusing on everyday objects that range from flowers to trash.
The young artist developed her unique style while studying in Italy at the Accademia di Belle Arti, and continued honing her skills while working as an intern at the Uffizi museum in Florence and at the Louvre in Paris.
The exhibit is the first museum retrospective of Abbott’s work and continues through May 26, 2013, only at The California Museum.
Women & Spirit: Catholic Sisters In America reveals the history of a small group of independent American women who helped shape the nation’s social and cultural landscape. Over the last 300 years, the sisters built and managed schools, hospitals, orphanages and other social institutions that have endured during eras when most women had few — if any — professional opportunities.
As inspirational trailblazers, they corresponded with President Thomas Jefferson, talked down bandits and roughnecks in the Wild West and provided the first form of health insurance to Midwestern loggers. As an overlooked part of history, they played instrumental roles in significant American turning points — from the Civil War, Gold Rush and San Francisco Earthquake to the Depression, Civil Rights Movement and Hurricane Katrina.
An adjoining installation features the history of a group of California sisters who came to San Francisco in 1851 and became pioneers in quality, affordable child care in 1878, long before its existence today.
To learn more, visit the national touring exhibition web site WomenandSpirit.org. Sponsored by the Leadership Conference of Women Religious in association with Cincinnati Museum Center.
Media, please visit the online press center for California exhibit materials including image gallery and media kit.
Curated by legendary Z-Boy Nathan Pratt, co-star of the 2002 documentary “Dogtown and Z- Boys”, this all-new exhibit explores the California-created sport of skateboarding.
From the earliest 1950s wood plank and metal roller skate wheel prototypes to the modern engineered marvels of today, rare boards and ephemera document the evolution of “sidewalk surfing.” Highlights include many of the sports’ firsts, including the first pro model skateboard, the first board with urethane wheels and the first Zephyr board. Over 200 unique items, many from The Sidewalk Shop, Skatelab and Z-BOY® Archive collections, are on display including Tony Hawk’s autographed personal board, an extremely rare Willie Mays board and gear from over 30 California pros.
Multimedia presentations featuring the revolutionary riders, artists and manufacturers reveal how riding concrete evolved from a subculture of teenage defiance to an iconic worldwide cultural phenomenon.
Photos of Nathan Pratt by Craig Stecyk. Courtesy of Z-BOY® Archive.
Celebrating the class of 2010 California Hall of Fame, this year’s exhibition is over 3,000-square feet and includes more than 100 unique items, many of which have never been publicly displayed such as:
The recreated office of Governor Edmund G. “Pat” Brown containing desk, chair, lamp, blotter and a marlin caught by the former California governor
Props used in the block-buster films of James Cameron, including maquettes and spears from Avatar, life-size Terminator statue, machine from Aliens, ship’s wheel and engine wheel from Titanic and more
The restored 1933 Lincoln automobile owned by Bank of America founder and father of modern banking, A.P. Giannini
Custom suit, gold records and Fender Haggard Tuff Dog guitar played by country music legend Merle Haggard
Several costumes worn by music and film icon Barbra Streisand in On a Clear Day You Can See Forever, My Name Is Barbra and Yentl; her first contract with the Bon Soir; albums, tickets, movie posters and rare Broadway billboard from Funny Girl
Wayne Thiebaud gallery personally containing works selected by the artist himself
The pilot script from Golden Girls signed by the original cast and an Emmy® won by comedienne Betty White
In recognition of Hispanic Heritage Month, Mas Chisme de la Cultura/Spinning Cultural Stories features the original artwork of the Sacramento-based Chicana collective Co-Madres Artistas.
The artists – Irma Barbosa, Carmel Castillo, Mareia de Socorro, Laura Llano and Helen Villa – have been leaders in the Chicana art movement for the past twenty years. Over 20 of their bright and engaging paintings speaking to themes of Latina pride, feminism and community activism will be exhibited in the Maria Shriver Gallery through Sunday, November 13, 2011.
Join us for the special Second Saturday opening reception on September 10th from 5:00-7:00PM!
Learn more about this event
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R.S.V.P. by 4:00PM on Friday, September 9, 2011
“Pot Painter,” by Mareia de Sorocco; “Betrothed,” by Helen Villa; “The Arrival of the Farewell,” by Irma Barbosa. Images courtesy of Co-Madres Artistas.
Get On Board: Stories of the Los Angeles to Houston Freedom Ride recounts the seldom-heard story of CORE’s (Congress of Racial Equality) freedom ride from Los Angeles, California, to Houston, Texas, in August of 1961. Commemorating the 50th anniversary of the freedom rides, this exhibit underscores the ambitious optimism that inspired 11 Californians — both black and white, men and women — to leave their schools, families and homes to get on board a train for a ride to secure freedom and liberty for all Americans during the Civil Rights Movement.
Inspired by Houston’s Union Station, the exhibit features a U-shaped lunch counter with six counter stools that serves as a display area for artifacts that relate the courageous stories of the California Freedom Riders such as:
Newspaper clips detailing contrasting historical perspectives from Los Angeles Times & Houston Chronicle
Photographs & political buttons from original Freedom Rider Ellen Broms’ personal collection
1961 UCLA oral history & manuscripts written by original Freedom Rider Steven McNichols
The exhibition, presented in partnership with the California Legislative Black Caucus and the Mayme Clayton Library and Museum, opens on February 5, 2011, and continues through May 29, 2011.
Founded in 2004 by then-California First Lady Maria Shriver, the Minerva Awards honor women who have changed our world with their courage, their strength, and their wisdom. The annual awards celebrated women who work to make this world a more compassionate, tolerant and just place. This conference-funded exhibit chronicles their lasting legacies.
The 2009 Minerva Award winners are:
Agnes Stevens: The life of retired schoolteacher Agnes Stevens changed in 1993 when she read a book about homelessness in the United States. The staggering number of homeless children and the shockingly few who went to school appalled her. She began teaching homeless kids in a park in Santa Monica, encouraging them to stay in school, keep up their grades and participate in school activities.
From that individual decision to help– to bring 30 years of classroom experience to America’s most forgotten children–School on Wheels was born.
Seventeen years later, Stevens and School on Wheels provide one-on-one tutoring for homeless kids who live in shelters, motels, group foster homes, cars and on the streets. More than 1,000 volunteer tutors from every profession and background help thousands of homeless children ages six to 18, throughout Southern California enroll in school and stay there.
Formerly a teacher in the New York Bowery, Chicago’s Chinatown and Los Angeles’ Little Tokyo, Stevens now scours the seedier parts of Southern California looking for children. The neediest don’t come to her, she says. She has to go to them.
Without government support of any kind, School on Wheels also gives away at least 5000 backpacks loaded with school supplies, and some school uniforms. The children get help enrolling in school and with locating and filing school records as well as a toll-free phone number for around-the-clock School on Wheels’ support. When a child moves, School on Wheels follows them, offering stability in an otherwise unstable existence.
At many shelters, School on Wheels has created special learning rooms, with computers, books, drawing and writing materials, to give the children a quiet place to study.
Her 20 year fight on behalf of homeless children was recognized in 2008, when Stevens was one of three women who received the World’s Children’s Prize for the Rights of the Child, known as the children’s “Nobel Prize.”
Helen Waukazoo: Growing up in New Mexico, Helen Devore Waukazoo remembers her beloved Navajo father telling her she would “walk in two worlds:” that of the Native American and the white American.
At 13, Helen and two of her siblings were torn from their family and forced to attend boarding school in a government attempt to move and integrate American Indians from their reservations into non-Indian communities. Helen’s school was in Utah, a thousand miles and a world apart from any life she had known. Separated from her parents, she was forced into a foreign world in which she was forbidden to honor her own culture and language. It was a traumatic experience and the moment she was free to leave, she did.
She headed to San Francisco in her early 20’s and volunteered at a drop-in center started by a church group, a place for American Indian people to connect in the midst of what often felt like a foreign world. The group recognized the high rate of addiction Helen’s people struggled with—both to alcohol and drugs. As she rose from volunteer clerk-typist to paid bookkeeper to co-Founder of the American Indian Friendship House in the 1970s, the mission for the center changed as well.
Today Friendship House exists to help keep Helen’s native people sober. Many who come to her are often not just addicted, but homeless and unemployed. Through a unique program approach, most leave committed to sobriety and in a position to regain their footing and their dignity. Friendship House’s relapse rate is half that of the average treatment center. Part of the reason is the program’s unique blend of 12 Step, Western psychology and Native American traditions. What Helen realized was that Native Americans are more prone to addiction when they abandon tradition. At Friendship House, recovery includes prayers, medicine men, healing ceremonies, talking circles and a sweat lodge. She has also started a 10-bed facility for mothers whose children have been removed by the courts. Here they are taught not just parenting skills, but how to cook and nurture their children incorporating many Indian traditions.
The staff of Friendship House provides Indian Health services in neighboring Alameda and Santa Clara counties. Friendship House has grown into an 80-bed facility in a brand new building and serves as a regional treatment center, the largest center for Indian Americans in California. Beyond its successful alcohol and addiction treatment programs and its facility to reunite mothers and children, Friendship House today helps in finding jobs for clients and in providing youth services.
Dr. Jane Goodall: In the summer of 1960, 26-year-old Goodall arrived at Lake Tanganyika, East Africa to study chimpanzees, an act so unorthodox at the time that British authorities required her mother accompany her as a companion. But before long, she struck out on her own to become a world leader and new voice in redefining the relationship between humans and animals.
In 1957, a school friend invited Goodall to her parents’ farm in Kenya. Within months, she met anthropologist and paleontologist Dr. Louis Leakey, who had been searching for someone to begin a study of chimpanzees.
At first, the chimps fled whenever they saw Goodall, but gradually the chimps allowed her close enough for her to get to know them individually and observe their everyday behavior. In the fall of 1960, she saw a chimpanzee strip leaves off twigs to fashion tools. Until then, scientists thought humans were the only species to make and use tools. This would be one of Goodall’s most important, although by no means only, discovery.
In her almost 50 years as a primatologist and more recently as an environmentalist, she has fought poachers, polluters and politicians. She has radically influenced her field of study and blazed a trail for other women who have followed in her footsteps, including Dian Fossey. Her research and writing have revolutionized scientific thinking about the evolution of humans.
The Gombe Stream Research Centre, which Dr. Goodall established in 1965, has become a training ground for students interested in studying primates. In 1977, Dr. Goodall, established the Jane Goodall Institute. The Institute supports the continuing research at Gombe and is a global leader in protecting chimpanzees and their habitats and for establishing conservation programs in Africa.
Roots & Shoots, Goodall’s global environmental and humanitarian youth program, has nearly 150,000 members in 110 countries. In 2002, Secretary General Kofi Annan named Dr. Goodall a United Nations Messenger of Peace. In 2004 she became a Dame of the British Empire, the female equivalent of a knighthood. Dr. Goodall received her Ph.D. from Cambridge University in 1965, and she has been the recipient of numerous scientific and humanitarian awards from around the world.
Dr. Kathy Hull: Kathy Hull founded the George Mark Children’s House in San Leandro, CA, the first freestanding residential pediatric palliative care center in the United States, because she believes that all dying children and their families deserve a sanctuary as they endure one of life’s most excruciating experiences. While the vision for this 15,000 square-foot San Leandro “home” was born from personal family tragedy, every detail of its execution reflects a sense of love, warmth and support Hull wants people to know as they struggle with the loss of their own young life or that of their child’s.
With Dr. Barbara Beach, a pediatric oncologist, Hull started the house in 2004, acutely aware of the devastation a family faces from the loss of a child. The house is named for two of her brothers, George and Mark. In both cases, she remembers how ill-equipped her family was, as when George was critically ill to navigate the medical system during crisis.
Before Hull created George Mark Children’s House, the only options in the United States for dying children were a hospital room, the family’s home, or nursing homes geared for adults — all settings that in different ways can be daunting to the surviving family, and most particularly to dying children themselves.
Hull, a clinical psychologist, and her colleague Dr. Beach saw firsthand how badly families needed an alternative: a supportive environment in which every family member’s medical, emotional and spiritual needs could be met as they faced this toughest of life’s trials.
Hull’s first decision was to take on “the look” of her facility. She engaged an architect to design a beautiful ranch style house surrounded by a 5 acre oasis of lush trees and flower beds. A small chapel sits on the top of a hill where services are held in honor of the children who have died here. The bedrooms have brightly colored murals. There is a spacious playroom, a computer game room, family suites, eight patient rooms and a large open kitchen called Ruth’s Café where family and staff eat together. In the George Mark Room, families can stay with their child after her/his death and say goodbye over a period of days if that is their choice. Counseling to help cope with a loss of a child is provided free for as long as a family needs it.
Children who come to George Mark have progressive, incurable diseases that will likely take their lives before they become adults. Each year, over 200 families call George Mark their temporary home. Some families come for respite care, a break from the rigors of caring for their seriously ill child. But hospice care takes precedence. No child is denied care because their family is unable to pay.
For more information on past and present winners, visit the Women’s Conference on the web.
The Minerva Awards exhibit is generously sponsored by the Women’s Conference and Lifetime Networks.
Counterculture, with its rejection of the ordinary, has long been synonymous with California. During the Summer of Love in 1967, San Francisco established itself as the epicenter of the movement, where new genres of music and art emphasizing experimentation gained worldwide notoriety. A new exhibit at The California Museum showcasing 80 rare pieces promoting shows from Sacramento to Bakersfield explores the Central Valley’s previously overlooked role as it defines the region’s relevance in the era’s iconic rock scene.
The Central Valley Turns On: Psychedelic Poster Art, 1965-1975 explores an art form as revolutionary and experimental as the music it was designed to sell, and highlights noteworthy performances from many of the era’s legends. Bold colors and hand-drawn illustrations announce a performance by The Doors and KZAP’s fifth birthday celebration with the Beach Boys at Sacramento’s Memorial Auditorium. Dynamic compositions with intertwining words and imagery decorate handbills to promote The Jimi Hendrix Experience at Sacramento State College and Creedence Clearwater Revival at Cal Expo. Compacted designs of nearly illegible text create patterns to plug the Grateful Dead at Fresno’s Selland Arena as well as Pink Floyd headlining a Sacramento Sound Factory show.
Featuring an extraordinary collection of screen and lithographic prints owned by a private poster art aficionado, the exhibit presented by The California Museum in partnership with Alisa Leslie, Curator and Art Historian at Seligman Western Enterprises, and Walter Medeiros, counterculture art historian and contributing author of High Art: A History of the Psychedelic Poster. Many of the pieces have been out of view since they were created over 40 years ago. Now reintroduced to the public, they shed new historical perspective on the Central Valley’s supporting role in California’s counterculture scene and define the region‘s relevance in the iconic psychedelic rock movement of the era.
Photographs from the state Capitol by acclaimed former Los Angeles Times photojournalist Robert Durell offer a vivid and insightful view of the rollercoaster ride of California politics. Two dozen photos are on display, along with a larger-than-life slide show of many more, accompanied by the photographer’s witty and incisive commentary that gives visitors the back-story behind each image.